Sawako ariyoshi, the japanese simone de beauvoir

Sawako Ariyoshi is considered to be the Japanese Simone de Beauvoir and, in The River Ki , the author explores the filial bonds that connect women to their mothers and their own daughters. She reveals how, over the years, certain traditions are repeated before being shattered, due either to a deliberate choice or a societal change. In this short novel published in Japan in , the reader follows three generations of Japanese women between the late 19th century and the end of the Second World War.

They are all members of the Kimoto family, who hail from Wakayama valley in the south of the Kansai region. Sawako Ariyoshi takes the reader inside the Japanese household, a terrain where power struggles occur between respect for age-old traditions and a desire for emancipation. These three women have thrown off their shackles, each one in their own way and through their choices, whether unconscious, voluntary or constrained.

What could be taken for a little story in the grand scheme of history in fact says a great deal about what goes on in this country marked by war and forced to open itself up to the rest of the world. The bath culture remains vibrant in the capital city, where public baths and saunas designed by renowned architects are continuously opening.

Sawako ariyoshi, the japanese simone de beauvoir: Sawako Ariyoshi, born in ,

Kurama's photographic work pushes the boundaries, those of the pursuit of eroticism, particularly in 'Kame san — Turtle'. Designed by architect Hiroshi Sugimoto, this space brings together creation and the passage of the seasons to foster a sense of wonder. The daily life of organised crime in Japan is analysed by Korean photograph Seung-Woo Yang, who saw it all from the inside.